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Galway and the Cinema

The crimson hills, sweeping vales and pristine loughs of Ireland have captivated filmmakers for as long as movies have been made. Galway and its surrounding country, most notably the famed landscapes of Connemara, have been no exception to the rule, and over the years a number of famous projects have called County Galway home.

Man of Aran

In 1932 and 1933, only a few years after the introduction of synchronised sound in motion pictures, Robert J. Flaherty travelled to the Aran Islands to make the then monumental Man of Aran; a 75 minute black and white spectacle that depicted the ongoing struggles of an island family against the sea. The picture was one of the first of its kind in Ireland and its 1934 premiere was attended by Eamonn De Valera and William Butler Yeats. The mystique of the movie hasn’t worn off in the nearly 70 years since it was filmed. Today visitors to Inis Mór, the largest of the Aran Islands, will still find a daily screening of the film.

The Quiet Man

Perhaps the most famous movie to originate in the Galway area is the 1952 John Ford classic The Quiet Man. The film, which starred John Wayne and Maureen O'Hara, was nominated for 7 Academy Awards, 4 of which it won, including the Best Director nod for Ford. In the movie, the Irish born Sean Thornton (John Wayne), who migrated to Pittsburgh as a child, returns to his home village of Innisfree to begin a new life and start a family. Sean quickly falls for Mary-Kate Danaher (Maureen O’Hara) the sister of the fiery 'Red' Will Danaher. The trials of life and love that follow for Sean and Mary Kate make for one of the most compelling stories of its time. Although a great deal of the film was shot in County Mayo, the heart of the movie lies in Tully Strand in Connemara where Sean and Mary-Kate forged their life together at the little white cottage White O'Mornin'. Tours of The Quiet Man locations are available from the Quiet Man Heritage Centre from April to October.

The Field

In more recent years, the 1990 Jim Sheridan adaptation of the John B. Keane play The Field brought Richard Harris, John Hurt and Tom Berenger to the fields of Leenane, in the north of Galway. The film, which was the biggest draw at the 1990 Irish Box Office, and garnered Harris a 1991 Academy Award nomination for Best Actor, traced the story of 'Bull' McCabe (Richard Harris) and his quest to retain a field that his family had farmed for generations, and which his mother had died upon. Bull pronounces that he will pay £50 for the field when the owner puts it up for auction and threatens any outsiders that might challenge his bid. When a strange American arrives in town promising to outbid McCabe the story begins its march to a climactic conclusion. Harris' masterwork as an actor sheds an astonishingly honest light on the often-lamentable life of a simple man and his family. Both the play and the film are based on the true events that culminated in the death of the American Moss Moore in 1958 County Kerry.

Other movies

Other movies shot in the Galway area include the lesser known 1988 Joe Comerford Reefer and the Model. Reefer was shot in its entirety in Galway Bay, Connemara and the Aran Islands. The movie followed the often-illegal adventures of the ex-IRA man Reefer, his friends Badger and Spider, and the mysterious Model that Reefer finds on a lonely road in Connemara.

Parts of the 1973 conspiracy laden John Huston film, The MacKintosh Man, starring Paul Newman, were shot in Connemara. The historical epic Alfred the Great, starring David Hemmings, Michael York and a young Ian McKellen, is still talked about by locals (many of which served as extras) near where the film was shot between Gort and Loughrea. And the 1992 Mike Newall production Into the West, starring Gabriel Byrne, Ellen Barkin and Ciaran Fitzgerald, featured footage from the Galway coast.

From the rocky limestone stretches of the Aran Islands to the beautiful territory separating Lough Corrib and Lough Mask, Galway has made an indelible mark on the films of our time. It has often been said that when a production is shot in Ireland the true star is the countryside itself. For the movies of Galway this is almost certainly the case. It is little wonder then that Barbara Ford, daughter of the renowned John Ford, wrote to her father upon seeing the site of The Quiet Man exclaiming that she never believed any place could be so lovely. It is thus fitting that Galway will be preserved forever on the silver screen, for the entire world to enjoy.

Jeremy M. Usher
November 2000



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